Three Stars for Three Stars and Carbone

It was no holds barred for Mario Carbone and Rich Torrisi when they were developing the concept for Carbone. As Italian Americans, they wanted their third restaurant to pay homage to their heritage and the food they grew up with. In an interview for Serious Eats, Torrisi and Carbone defined the concept to the website's founder Ed Levine thusly: "We [Torrisi, Carbone, and business partner Jeff Zalaznick] say updating Italian American fine dining. If you think about it, it's hard to find fine dining that's truly Italian American, you know? And it's perplexing that in this city of all cities, with such a huge Italian American influence, there's not one bastion of that cuisine."

The early word on Carbone was a mixed bag. Some diners loved the new dining experience while others filed complaints on the food and the price they paid for it. Now that the restaurant has been open for three months, Pete Wells has filed on the mid century-inspired, Italian-American bastion.

"Carbone has a technical prowess that can make you giddy;" Wells writes, "a lust for excess that can, at times, make you a little queasy; and an instinct for sheer entertainment that makes a lot of other restaurants seem like earnest, unimaginative drones." The critic notes the over-the-top, Hollywoodesque experience. He writes, "Like Tarantino’s love letters to pulpy exploitation films, Carbone affectionately picks up the clichés of its genre, twirls them, then hurls them at your head."

At Carbone, Mario Carbone and Rich Torrisi have taken a classic cuisine and made it their own, an approach to cooking they used to wow the city at Torrisi on Mulberry Street. On Thompson Street, they've done it with dishes like country ham from Kentucky and spicy chili ribs that merely wave in the general direction of the Italian pantry.

There are classic dishes on the menu whose recipes were born out of the influx of Italian immigrants to the states. Of the shrimp scampi, Wells notes, "No shrimp scampi has been handled as gently or luxuriously as Carbone’s chorus line of langoustines." There's the "$50 veal parm" too. "Served with a fried shaft of bone," writes Wells, "it’s a shock-and-awe dish, and the most shocking thing about it is that there is no real revisionism here; it is a veal parm, the way you always hoped it would be." Wells praises the efforts of Carbone, Torrisi, and Zalaznick, and awards their hot new Italian-American lovechild three stars. [NYTimes]